Manukau Harbour

Arruba

Architect

Bossley Architects

Location

Manukau Harbour

Completed

2013

Project type

Residential

Profile

Mono200

Colour

Dulux Duratec Intensity Red

Photographer

Simon Devitt

A vivid red treehouse above the Manukau Harbour.

You see it before you understand it. A flash of red among the pohutukawa branches above Orua Bay, vivid, unexpected, completely at home. Passersby on the beach have been known to shout out their delight. Pete Bossley’s NZIA Supreme Award-winning bach studio is that kind of building.

The red box in the trees

Orua Bay sits between two headlands on the Manukau Harbour where the tide sets the schedule and the only access is across the beach. Pete Bossley and artist Miriam van Wezel have owned a bach here since 1997. Arruba is what they added after five years of thinking about what the site deserved.

The brief was simple: a one-room studio serving as bedroom, workroom and rumpus space, with a small bathroom in a concrete masonry tower. The red box floats above the boat space below, nestled among the branches of the existing pohutukawa, the landscape visible beneath the structure, the building weightless above it.

The red references the pohutukawa in summer flower, and the bright-painted baches that once lined this stretch of harbour. It is a colour with memory in it. Nu Wall aluminium cladding keeps it exactly as intended, vivid, precise, unchanged by the salt air and years.

Red was the only answer

Colour in architecture is rarely this deliberate. Pete Bossley didn’t arrive at red through a palette, he arrived at it through the place. The pohutukawa in flower, the old baches of the harbour, the personalities of the people who would live here. The colour came first. The architecture followed. Nu Wall Mono200 aluminium cladding was the right vessel for that intention. The flat-panel profile keeps the geometry clean and uninterrupted, allowing the red to read as a single bold gesture across the facade rather than a surface broken by shadow or detail. The cladding lets the colour do what it came here to do.

In between two little headlands, you can’t get easy access from either side. So even in the summer, when it’s busiest, people can’t get to you because of the tide — so you always have that privacy.

Miriam van Wezel, Co-Owner and Artist

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